Performer：Details
Director：Jean-Daniel Pollet Volker Schlöndorff
Synopsis： The director is Jean-Daniel of the New Wave Pollet. In the late 1950s, Polly was considered to be the most talented of the French new wave、Godda、Trifu、Revere is young, but with their light, Polly is less attractive, but he has been dubbed the director best at capturing ordinary people's emotions. Born in Lille, the University of Polly was an age of philosophy, looking at John Ford Ford《I'll open the door for you》（The Quiet Man) was shocked and quickly decided to change his studies. In 1957, Polais, a 27-year-old military, studied film technology at the French Military Film Department. Later, he became Big Director Julien Duvier's assistant, filmed the Fernandel series《The man in the raincoat》（The Man In The I don't know. For Polly, the job was “to learn what to do”. Like his generation of young filmmakers, he is trying to break the French film tradition. One time, when he filmed a dance hall on the outskirts of Paris, Polly met Claude Meech One is a little short、Show some respect、Young tailor apprentice. But on Mikey, Polly found the other side of his personality. He decided to make his first film, one called《As long as you're drunk》（Pourvu Qu'on Ait L'for the first time in a movie, mikey played a timid man trying to get his sister in a ballroom、the drama is multi-element. this is one of the six short films that polly and meech were working together, and this was the beginning of their years of cooperation, in which mikey received the title of keaton, france. to their cooperation, polly said: “he does anything for me, he talks, he dances, he has talent. but he left me, and he had no room, and i was like his father.” In 1963, before we started making a long film, Polly shot it《Mediterranean》(Méditerranée), a 45-minute 16 mm film adapted from the writer Philippe In an article by Sollers, Polly wants to make a “dissemination film, but can travel between movies and novels and link words and images”. The film was filmed around the Mediterranean Sea for four months, displaying the wind and earth along the road, and three years of editing, establishing the reputation of the Pollee “film poet”, which was considered by commentators to be “the most abstract imager”。
